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G is Going to Gittisham


A - Z of Devon Places and Women Writers

G is Going to Gittisham

The G parish in this A-Z had to be Gittisham, birthplace of Devon's most notorious and eccentric female 'writer' 'prophetess', Joanna Southcott. 




Around Gittisham
Photo Julie Sampson

I have written about Joanna both in my book, and in my other blog, see  Woman Clothed in the Sun at Scrapblog whilst a poem about her was published in the collection Tessitura. I'm not going to make more comment here except to say that like her contemporary, Mary Willcocks aka 'Caraboo', from Witheridge, Joanna Southcott is fascinating. I find her totally bizarre and yet compelling, perhaps in part because her family lived only a few miles from a district where many of my own ancestors were based. When I read that she had over 100,000 followers (in the C19 that is a LOT), I can not help but wonder if a few of my forefathers and foremothers were drawn into her orbit. 


Book Blurb about Frances Brown's biography, Joanna Southcott
      For those who may wish to follow up Joanna Southcott there are plentiful available sources, books, online sites archives etc. out there.  A google search will quickly bring up many possible search-trails.


Page from Southcott's Prophecies

F for All or Which ... Not Farringdon, Fremington, Feniton, Frithelstock but FILLEIGH

   
A - Z of Devon Places and Women Writers

There's Rosemary There's Rue
by Winifred Fortescue
Photo Julie Sampson


F for All, or Which ... Not Farringdon, Fremington, Feniton, Frithelstock but FILLEIGH

       In contrast with Exeter, which I chose to represent E in this alphabet round up of Devon places associated with women writers, the choice for F was a challenge. There are few parishes in the county whose names which begin with F, and of those, as far as I am yet aware there are not any women authors who are linked with them. If you reading this know of a women writer who lived in, stayed at, wrote about or had any other link with one of Devon's few parishes beginning with 'F', please do get in touch. 

        And, whereas Exeter's links with our county's women authors are multiple (again as far as I am yet aware), Filleigh only connects with one writer. And not only was she not born in Devon, but her association with the county was due to her husband.


         I am lucky enough to have once been invited to tea at Castle Hill at Filleigh. It is a long story and happened due to a chain of circumstances, which involved the family of the then Ambassador of Khartoum and the sister of the then owner of Hartland Abbey - (she, incidentally was also an author and I will feature her later in this ABC). It is so long ago that I have few memories of the event, nor do I recall the people I met. It is just a memory-still. I know I was there but I was no doubt tongue-tied, daunted by this brief acquaintance with a social class with whom our family never had occasion to mix. I guess the visit coincided with the time of the  co-heiress and then presumably occupant of Castle Hill, Lady Margaret Fortescue.  Margaret was the great niece of the husband of the author featured in this piece, Lady Winifred Fortescue. He was Sir John William Fortescue, one of the younger sons of Hugh 3rd Earl of Fortescue (died 1905) and Georgina, Countess Fortescue.  


Castle Hill at Filleigh
© Copyright Lewis Clarke and licensed for reuse under this Creative Commons Licence

John's brother Hugh Fortescue, 4th Earl of Fortescue, Viscount Ebrington (died 1932), inherited the title in 1905 on the death of their father and was the occupant at the time of Winifred Fortescue's first visit to Castle Hill, in 1914, when she stayed there on her honeymoon not long before the outbreak of the First World War.
      In her popular memoir There's Rosemary There's RueWinifred Fortescue provides us with a first hand account of some of her husband's many extended family, not just those at Castle Hill, but also other family members who owned or lived at other local estates, such as Hartland Abbey or Clovelly Court, where the Fortescue cousins lived.  For instance, she meets Marion Stucley at Hartland, a place Winifred loved. (Read about Marion Stucley and Gertrude Stein and Hartland's garden). Winifred describes the abbey:


hidden in a wooded hollow some miles from Clovelly, with its chain of lovely walled gardens, once cultivated by monks, its shady woodland walks and little excitable trout-stream cascading through the valley in a series of waterfall and still pools, until at last it dashed over the cliff and into the sea. (See There's Rosemary, There's Rue).

Page from There's Rosemary There's Rue,
which begins account of Winifred Fortescue's wedding and honeymoon at Castle Hill


Another page from There's Rosemary There's Rue,
which describes Winifred's honeymoon in Devon


       Winifred Fortescue does not make an appearance in my book so it's good to include her in this blog, even if only briefly. Although the author isn't closely associated with Devon, years after her husband's death she did occasionally return to his homeland. During the Second World War twenty seven years after her first visit there, she travelled down to Devon in her caravan which she called The Arc and camped near Manaton, on Dartmoor, then went on up to the north of the county, where, rather than stay on the Castle Hill estate, she returned to her husband's cousin's family home, at Hartland. You can read more about this in Maureen Emerson's book, Escape to Provence.

Page from Emerson's Escape to Provenceabout Winifred Fortescue's time in Devon

Books by Winifred Fortescue
1935 Perfume from Provence
1937 Sunset House
1939 There's Rosemary, There's Rue
1941 Trampled Lilies
1943 Mountain Madness
1948 Beauty for Ashes
1950 Laughter in Provence



E ... is Easy ... Exeter!



Exeter Environs



A - Z of Devon Places & Women Writers 
E is Easy
       Well, at first glance, Exeter 'for E' seems an easy choice of places for this A-Z of Devon women writers, in the sense that many writers linked with Devon were also connected with the city. But, when I sat down to begin writing this piece I realised that actually Exeter may be one of the hardest of this A-Z of Devon places. In other words, perhaps too many of the writers on my lists were closely associated with Exeter! It would be possible to have a whole blog devoted just to them. I've found information that shows us women writing in one way or other from the earliest historical records right up to the mid C20. In the book I'm completing, Exeter is threaded like a gem throughout the text as a central county hub, which connects individuals to one another and through the centuries. This is no surprise of course, as Exeter represents a historical slice of time for Devon. 

      I can't mention or include all the writers here, but will have a go at selecting a cluster of them. It gives me a chance to include a handful of authors who don't appear in my book, as well as others who are. A few of them are already well known, but others may be new to you ...

      I'll begin just after the Norman Conquest, during the Siege of Exeter, in 1068, when Gytha, mother of King Harold and widow of Earl Godwin of Wessex, managed to escape from Exeter through the Water Gate, and was rowed away, with her group of 'travelling noblewomen', down the river Exe to eventual freedom, at Steep Holm. Gytha had been staying in a town house in Exeter. 
Gytha
This file is made available under the
 Creative Commons
 CC0 1.0 Universal Public Domain Dedication
We are told about Gytha in the Anglo Saxon Chronicles:
7 her ferde Gyða ut, Haroldes modor, 7 manegra godra manna wif mid hyre, into Bradan Reolice, 7 þær wunode sume hwile, 7 swa for þanon ofer sæ to Sancte Audomare.[and in this year Gytha, Harold’s mother, went out and many wives of good men with her, to Flat Holme, and remained there for a while and thus from there over sea to St Omer (France)]

      Wikipedia is good on Gytha She is said to have escaped Exeter with the help of a priest from St Olave's church, the church that she had founded in Exeter.


St Olave's Church
Exeter

        Why am I including Gytha here, as a writer? You might well ask. No, as far as I am aware, there are no documents which present this early noblewoman as an active author of texts. But, during the times of Saxon and Norman England, women who were closely related to royal circles all had a participatory interest in literature. Many royal women during these years were closely connected with Devon and in particular with Exeter. I discuss these royal women and their engagement with literary activity in more detail in Women Write in the Devon Landscape

****


         Well, now we're jumping up through the centuries to Elizabethan England, when several important women writers were closely associated with Devon. One of them was the translator/writer Anne Locke/ Prowse, who lived in Exeter after she married the then mayor. Before her move to Exeter C16 writer translator Anne Lock Prowse was influential at Court. In 1576, a miscellany published in London by James Sandford, an English edition of The Garden of Pleasure, began with a dedication which situated Queen Elizabeth I within the company of a group of learned and eloquent women, who were her near equals and her own compatriots. Anne, then Anne Dering, is named along with others, including three of the famous Cooke sisters. 

      Anne Lock moved to the southwest of England circa 1585, when she married Richard Prowse, mayor of Exeter in 1590, then apparently spent the rest of her life in Devon. It was whilst she was living in the county that her translation of John Taffin’s devotional Of the Marks of the Children of God was first published, in 1590. Little seems to be known of her time in Devon, but Anne Prowse’s earlier life is quite well documented. Her father, a court functionary, was a diplomat for Henry VII, her mother, a silk woman. Anne moved to Geneva with her friend John Knox in 1557 to join the community of Protestant exiles there. She seems to have been an important figure in Protestant circles of that time.

       With Anne Prowse’s mercantile background, her new home in Exeter probably provided a familiar and safe haven within a welcoming community. Possibly she was a member of the congregation at St Mary Arches; in that church are monuments commemorating several mayors of the city and one, to Thomas Andrew, in 1504, has the arms of the Merchant Adventurers. 


St Mary Arches
 Exeter

        Archival tit-bits mentioning Prowse hint at possible lost narrative threads and these seem to be located somewhere in the interface between the various trading exploratory activities of Exeter based merchants and the pursuits and networks of local Puritanical circles.

             Some of Prowse’s female acquaintances may have had their own links with the south west. She was possibly distantly related to poet Anne Dowriche through marriage and there were other local women such as the female relations of Francis Russell, second Earl of Bedford, whose Devon base was then Bedford House in Exeter; his three daughters, Margaret, Anne Russell Herbert and Elizabeth were of the same generation as Anne Locke and Anne Dowriche and they were related to other women also known for their writing. Anne Prowse does not feature in Women Write in the Devon Landscape, but I have included her in the information section of the website SouthWestWomenWriters  as well as in its Chronology.

****



St Olave's and Mary Arches churches

 
****
         Leaping up through several more centuries and we can look at one C19 Victorian woman who was associated with Exeter through her life and writings. Emma Marshall (1828-99) was author of Winifred's Journal of Her Life at Exeter in the Days of Bishop Hall and a prolific and popular author of her time - here is a list of her works. Perhaps you reading this have heard of Emma Marshall. I have to confess I had not, until by chance I stumbled upon her one day. At the time, I was seeking information not about women writers in Devon, but about another (often related) research preoccupation, family research. (slight diversion here. I was trying to find ancestors of a certain Rebecca Hall, a great grandmother x 5 or 6 from Broadwoodkelly and had reason to believe her family line might be related to that of Bishop Joseph Hall, of Exeter. And, with a google search, up popped Emma Marshall, this once famous female author). To be honest, it was not surprising that one of my research fields interconnected with another; it had already happened several times before. 'You can't have one without the other' had become a frequent underlying refrain of mine. And no -although I have not given up - I did not find (and have not yet found) Rebecca's Hall parentage connected with that of Joseph, the Bishop. But, I did pick up yet another name to add to my Devon women writers collection, which by the time I found the latest name was already chock-a-block with entries. Redressing the balance it's pleasing to include Emma Marshall here in this Exeter entry; unfortunately, because of space, other than a brief paragraph, her life and writings do not feature in the manuscript of the main book I've written. Emma lived in Exeter early in her marriage and at one time lived at 38 High Street, which I believe is now the site of Mountain Warehouse. 
38 High Street
Exeter

       Emma's recreation of an imaginary journal penned from the perspective of Winifred, servant to Bishop Joseph Hall, in C16 Exeter held many detailed accounts about that woman's day to day life; an imagined world within a once real world, whose real author's vanished life linked up with several other such forgotten author's lives. When I returned to have another look at the text I'd been annoyed to find that Winifred's journal conjuring everyday life in the C16, once freely available in cyberspace, had suddenly disappeared into the nether-worlds of virtual reality, making the author's own lost real life vanishings more poignant. 

     As often happens with writers, Emma wasn't the only author in her family. Her youngest daughter, Christopher St John, or Christabel Marshall, born in Exeter in 1871 ought to be more acclaimed than she is. A playwright, novelist and campaigner for women's suffragist, Marshall was born 24 October 1871, at 38 High Street, Exeter. Unfortunately, like her mother, she is missing from my book.

****
          Although she does not appear in Writing Women on the Devon Landscape, I have written a short piece on my other blog about Emily Shore and her Exeter Journal in Emily in Exeter . I'm not sure that you can read the whole journal text without payment, but there is a wonderfully detailed and illustrated account of this young journalist /writer by Barbara Timm Gates, in Self Writing as Legacy. This version, the best source of information about Emily Shore, digitises Emily's diaries so that the reader can see how the original version was changed both by herself and by her sisters.




Excerpt from Emily Shore's Journal. See
By M. Emily Shore [Public domain], via Wikimedia Comm
ons

Barbara  Timm Gates explains and Wikipedia repeats that:

Extracts of her [Shore's] journal were published by her sisters Louisa and Arabella in 1891, more than fifty years after her death. A second edition was published in 1898. Today only some parts of her journal are extant, but in 1991 it was discovered that Arabella had left two of her sister's journals to the British Museum. These journals are now in America as they were not delivered at the time. These journals reveal that Emily's autobiography was, to a degree, converted into a biography by her then elderly sisters.


       There is another link to a printout of Emily's journal
       Emily Shore, eldest of five children, was born on Christmas Day, in Suffolk, in 1819. She began her journal when she was eleven years old and kept it until her death, in Madeira, at the age of nineteen. 
Emily Shore
See page for author [Public domain], via Wikimedia Commons

      Timm Gates notes that the young girl's journal's entries were written  - 'From July 5, 1831, at the age of eleven, until June 24, 1839, two weeks before her death from consumption'. 
Gates continues that
She wrote of political issues, natural history, her progress as a scholar and scientist, and the worlds of art and literature. In her brief life, this remarkable young woman also produced, but did not publish, three novels, three books of poetry, and histories of the Jews, the Greeks, and the Romans, and she published several essays on birds. Written in an authoritative voice more often associated with men of her time, her journal reveals her to be well versed in the life of an early Victorian woman. (see Journal of Emily Shore)

        Emily's visit to Exeter took place between 1836-7, when she was about seventeen. She arrived with her mother on the Salisbury to Exeter coach, in October 1836. In Exeter they stayed with Emily's aunt, uncle and cousins, at 7 Baring Crescent, and after ten days, her mother left her with them. Her daughter recorded: 'Mama went away today leaving me here for seven months, a hundred and seventy one miles from home but I think I shall be [as] happy ... for Aunt Bell is exceedingly kind'. (Journal). Emily resolved to take up her studying again but must also have found time to explore her surroundings. The early pages of her Exeter Journal provide detailed descriptions of walking expeditions where, accompanied by her uncle she took ithe city sights.  


from Emily Shore Journal 1836, 
in Exeter



Emily evidently was able to explore Exeter's surrounding villages and countryside; her journal includes references to days out and about exploring.

..'it reminded me most strongly of past days, when, in full health and strength, I used to ramble for hours amongst the woods and fields of dear Woodbury, in unwearied search of some unknown warbler. .. Exeter April 7th 1837'. 
****
       
       Other women writers have delighted in the panoramic view set before them from the vantage point of Northernhay and Rougemont Gardens. In particular, during the early years of World War One E.M. Delafield, drafted her first novel in the park. I have written about Delafield in my previous Scrapblog in the piece-Sad December, and also in Devon Celebrations.

View from Northernhay Gardens

There are other authors who ought to appear here, such as Priscilla Cotton and Susanna Parr, but they will need to wait until the next part 2 of this A-Z.





D ... Down the Devon roads to Dunkeswell - A-Z of Devon Places & Devon Women Writers






Churchyard at Dunkeswell Abbey
'Blest by the power, by heaven's own flame inspired,
That first through shades monastic poured the light;
Where, with unsocial indolence retired.
Fell Superstition reigned in tenfold night'
from 
'Written on Visiting the Ruins of Dunkeswell Abbey, in Devonshire'
by Mary Hunt
Photo Julie Sampson


 If you've stumbled upon this piece you might wonder what it is. If so, please take a look at From the Devon Ridge where a Book Began, where I explain this blog... So I've reached D in this A-Z of places linked with Devon's women writers. There are several places I could have featured, but I decided on Dunkeswell, because the parish is the hub of a whole district towards the eastern edges of the, county s broad sweep of lands during the late C18 early C19 were owned and to a large extent, controlled, by one family, the Simcoes. It is usually General John Graves Simcoe, first Lieutenant Governor of Upper Canada, you're likely to encounter if you search the family online. But my interest here is his wife, Elizabeth Posthuma Gwillim Simcoe. You won't find it hard to gather information about the Simcoes. There is a gallimaufry of data out there about them. I have written of Elizabeth Simcoe in another blog. She appears in Devon Women: Travelling and Writing; and in Devon Celebration: Ten Women Writers. You can also find about her life and useful links at South-West-Women-Writers.

   Meanwhile, I have to confess that Mrs Simcoe only appears in passing in Writing Women on the Devon Land (see DevonBookFindsaWay); but, given that, although as well as artist, Simcoe was a prolific and expert diarist, and letter-writer, in my opinion her writing does not feature in the top league of those women writers from Devon whose texts are pre-eminent. But then, neither should she be ignored; Elizabeth Simcoe's contribution to literature was not insignificant. Simcoe  compiled insightful diaries of her stay in Upper Canada; classics of their genre, the journals provide the arm-chair traveller and historian with graphic and spirited documents detailing the rich diversity of that country during the late C18.Here are a couple of little tasters; hopefully, if you're not acquainted with Mrs Simcoe they may whet your appetite. 
Wed. 28th Nov. Went to the Fort this morning. Mrs. Macaulay drank tea with me, and I had a party at whist in the evening. The partition was put in the canvas houses to-day, by which means I have a bedroom in it as well as a sitting-room. These rooms are very comfortable, about thirty feet long. The grates did not answer for burning, and I have had a stove placed instead, though as yet a fire has not been wanted. The weather is so mild that we have walked in the garden from eight till nine in the moonlight these last two evenings.
 Mon. 3rd Dec. The Governor went to the Landing, and I went to the Fort to see Capt. Darling's stuffed birds. The most beautiful of them he called a meadow lark, the size of a blackbird, the colours the richest yellow, shaded to orange intermixed with black; the Recollect, a light brown with a tuft on its head and the tips of the wings scarlet, like sealing wax; a blackbird with scarlet on the wings they abound here in swamps; a scarlet bird called a King bird, the size of a small thrush; a bird like a canary bird, but the colours much brighter; a grand Due Owl. Among the animals there was a skunk like a pole- cat, with black and white marks.   (Elizabeth Simcoe, Mrs Simcoe’s Diary, ed. Mary Quayles Innis)


        Just snippets I'm afraid. As well as all the info. available online, there is at least one biography about the writer, with detailed narrative following her life in and out of Devon.

    Here, I want  to spread the word about Elizabeth Gwillim Simcoe and her work and highlight her family links with Devon. And also, I'd hope to tempt a few of you who might read this to go out and explore the places and their connections with Mrs Simcoe and her family,

   I want to outline some of the places in these parts that connect the family Simcoe with Devon. You can find special sites associated with them in the Dunkeswell district, because, scattered around in these territories are various fascinating remains that are in one way or other connected with the many members of the Simcoe family, or/and their friends. If you take time to look there is a plethora of history still ingrained in the very stones in, on and around buildings in this area. There is a fascinating recently published book The Historic Landscape of Devon, (by Lucy Ryder), which contains a section telling us all about the local landscape, its historical layerings and the details of Elizabeth Simcoe's land ownership hereabouts. Unfortunately, the day I went off on recce for the sites, a few obstacles came my way. At Dunkeswell church there was a special prayer meeting in progress, which meant the interior of the church could not be seen. Meanwhile, at Dunkeswell Abbey, the ruins were cast in scaffolding, which meant they were neither visible, nor photogenic. Also I found it was not possible to view the inside Holy Trinity church and last but not least, access to the path nearby the abbey ruins, which runs out along the nearby Madford river, was blocked.

             So, instead, for my photos, I concentrated on the peripherals: the views; the entrances; the paths; the trees; panoramas through the trees. I didn't get to Buckerell church that day; it's where the Simcoe couple married, but if you want to find more about them there do look at Beacock Fryer's biography of Simcoe . The present-day Wolford Lodge (built on the 5000 acre site which the heiress Elizabeth was able to buy on her marriage), Simcoe's original Wolford - there is a photo at DCC Dunkeswell here) sounds wonderful, but on the day of my visit time allowed just a cluster of photos of Dunkeswell's landscapes, in phone camera's burst mode. 

Best place to begin a Devon Simcoe travel trail (perhaps depending which direction you're arriving from) is at Wolford Chapel, as far as I am aware the sole little piece of Canadian land you will find in the UK., but which was originally thought to be the remains of a Medieval chapel. 
View to Wolford Chapel through trees.

         I have to confess on my visit, on a damp cold winter's day, the interior of the chapel felt disheartening, a little too chilly and dank to stay and appreciate the C16 panelling, which is thought to have been brought over there from the parish church  (then in ruins), probably due to Elizabeth's own influence. The chapel requires a sunny spring or summer day to encourage one to go inside. 


Memorial Plaque to Eliza Simoce, one of the Simcoe daughters.

For me, Wolford chapel's most moving features are found outside, where at the bottom of and alongside the south and east walls, memorial plaques are placed to five of the eleven Simcoe children. I had read that only one of the Simcoe's daughters (the youngest, called Anne) married and that that was after her parents' death and that even harshly, it was the girls' mother who insisted that they must not marry. I can not verify this theory, but I have a feeling if it was true then it was more likely because after her own marriage Elizabeth realised that to maintain independence girls in the C18-19 were much better off staying single.




Leaflets inside Wolford Chapel

            Before I leave the chapel, I note that there are exquisite views and vistas to be glimpsed along the track to the chapel, where in between winter's tree skeletons and laurel greenery, you can see out over the ridges, woods and fields, toward the area around Awliscombe. 


View between trees from Wolford Chapel



           Up the road a mile or so, there is Dunkeswell parish church, whose main interest apropos Elizabeth Simcoe is that it was the main place for her family to worship, and indeed, was rebuilt through her own influence  (using stones from nearby Dunkeswell Abbey and from her own funds).


Dunkeswell Church

Elizabeth Simcoe was a dedicated evangelist and directed her own children to follow her own zeal in a plethora of good works. You can read the sermon preached at the church on the occasion of Mrs. Simcoe's funeral on January 27th 1850.



Dunkeswell Churchyard

        Given that when we reached it, along the bendy lanes north from the village, Dunkeswell Abbey's ruins were covered with scaffolding and the church not accessible, I have to confess my visit there this time was disappointing. 


Peep through the trees to the C19 church on site of Dunkeswell Abbey
But, I cheered myself up with thoughts that this must once have been an impressive structure, which inspired at least one poem written by a woman with local Devon links, the rather mysterious Romantic woman poet Mary Hunt, who wrote the Wordsworthian inspired Lines written at Dunkeswell Abbey. Hunt was a close friend of Elizabeth Mary, and because of her connection with the Simcoe family is also linked with Dunkeswell. I have written a piece about her, and her poem, Devon's Romantic Woman Poet, which is published on Scrapblog of the South-West and also today, a follow up, Mary Hunt Devon's Romantic Poet and the Devon Connection at Dunkeswell.

          Before we left Dunkeswell we took a look (but could not walk beside, as our way was blocked) at the idyllic Madford river, which borders the parish and I think is a tributary of the river Culm.


An excerpt from
 Elizabeth Simcoe, Mrs Simcoe’s Diary, ed. Mary Quayles Innis)

C ... Caribbean Seas at Cheriton Fitzpaine

C  ... Caribbean Seas at Cheriton Fitzpaine




View of Cheriton Fitzpaine from Raddon Hills
Looking back northward toward Cheriton Fitzpaine from the Raddon ridge
Photo Julie Sampson




(The Blue Hour: A Portrait of Jean Rhys, by Lilian Pizzichini)


A to Z of Devon places and Devon women writers - B

    During the very early 1960's  for almost a couple of years two of the twentieth century's now most famous women writers lived within twenty miles of one another, in mid Devon. One was Sylvia Plath, who moved to North Tawton, in 1961 and left there late 1962; the other, Jean Rhys, who moved to Cheriton Fitzpaine in 1960 and stayed there until her death in 1979. Plath and Rhys are probably the two foremost C20 writers whose Devon home base/place must appear on this A to Z of Devon women writers places. Both authors have drawn countless followers and admirers to seek out their Devon homes and in Rhys' case, grave, in Cheriton's churchyard. One of these visitors remarked that finding the grave was a 'moving moment'  Another, the poet Olive Senior, wrote a long poem called Meditation on Red about her visit to the Cheriton grave, which both conjures up the sensual response of the poet herself and also expresses the complex reactions of both author herself and the locals at the time of Rhys living and writing in their village:


Opening of Senior's poem Meditation on Red
children/ 
making faces/
 at you/  
who knew/
 how to spell/
 little knowing /
in that grey mist /
hanging/ over Cherton Fitzpaine/
how cunningly
 you masked/  
your pain/ 
how carefully
 you honed /your craft/ 
how tightly
you held /your pen  (extract fron Meditation on Red)
                                                                       


        It took me many years to visit Rhys' grave in Cheriton, but I eventually made it, on a brilliant sunny winter's day. Rather surprisingly, the memorial stone is propped up against the church wall just left of the main door. At least the village has recognised the famous author's once presence in their parish, because she is mentioned in the church guide book. 


Photo of Jean Rhys' Grave Cheriton Fitzpaine churchyard
Jean Rhys' grave,
Cheriton Fitzpaine churchyard
Photo: JES


Jean Rhys' grave, Cheriton Fitzpaine
Photo: JES

Photo of Cheriton Fitzpaine Church
Cheriton Fitzpaine church
Photo: JES

Photo of Jean Rhys' grave at Cheriton Fitzpaine Church
Jean Rhys' grave Cheriton Fitzpaine
Photo: JES

     Going back some years, back in the sixties and seventies, following publication of and acclaim for her most famous novel, Wide Sargasso Sea, people frequently followed a quest to the village in search of the novelist. One visitor wrote up an account of her trip to Devon;

 

Then she said, suddenly “I’ve lived here six or seven years. I loathed it at first; then I got resigned to it. Fixed it up, found it better. I miss a lot living in Devon, miss meeting the people who wrote to me after the books were re-published. I don’t think I’m liked in the village, they think I’m strange. I’d like to get away but I won't now.



Another visitor, Louis James, wrote an academic paper following  her encounter with the novelist, 'The Lady Is Not A Photograph: Jean Rhys, D.Litt., and "The Caribbean Experience"'. See Journal of Caribbean Literatures, Vol. 3, No. 3, Jean Rhys (Summer 2003), pp. 175- 184. Louis explains how, with colleagues, she went down to Devon from Kent, to present Rhys, with an Honorary Doctorate from the University of Kent. James explains that
She accepted the Honorary Doctorate when it was offered her. But, at the age of eighty-seven, with deteriorating health, she did not wish to make the long journey from Cheriton Fitzpaine in Devon where she was spending the summer, to receive her degree.
So, as James tells us, in an unusual change from protocol, the university took the degree to its recipient:

 In the case of Jean Rhys, the University made the exceptional decision to award the Honorary D. Litt., in absentia. On that day of July, an empty red leather chair represented Jean Rhys on the dais, addressed by the Public Orator Professor Robert Gibson with an accolade recording her life and achievements. At the side, a portable Grundig tape deck ticked away, recording the oration. On the 20th of July two cars set off from Canterbury to her cottage in Cheriton Fitzpaine, carrying Professor Foakes as Chairman of English Literature at Kent, together with Professor Mark Kinkead-Weekes and myself as teachers of Common- wealth Literature. We also took a set of doctoral robes, the Grundig tape recorder, the Orator's recorded speech, and several bottles of champagne. The summer Jean Rhys spent at Cheriton Fitzpaine in 1977 was proving, in Carole Angier's words, "fairly disastrous" (638). Apart from intensifying health problems, Jean had begun to fall violently out with Janet Bridger, her young companion, nurse, and typist, with strains intensified by Jean's struggle to find the right approach to writing her proposed autobiography. Then there were other anxieties, too, of which I knew nothing at the time.
James provides a fond and amusing account of the time she spent spent at the by now renowned author's house. I can't resist including another short extract:




There is no shortage of material about Jean Rhys on the internet. A google search will coax out all sorts of goodies. In particular the Jean Rhys Archive has information about the whereabouts of various materials and texts.

 I wrote a little about Rhys and Plath in a very early piece in Scrapblog from the South-West.  Some thoughts about them appear in Crossing the Water, a more recent feature and extract from a longer piece posted in my earlier blog. (A poem 'Rhys and Plath; Cheriton and Court Green' was published by Shearsman and appears in the collection Tessitura. You can read the poem on Scrapblog).





B - Beside the Sea at Brixham and Budleigh Salterton

At Brixham
'The merry boats of Brixham
Go out to search the seas;
A staunch and sturdy fleet are they,
Who love a swinging breeze;
And before the woods of Devon,
And the silver cliffs of Wales,
You may see, when summer evenings fall,
The light upon their sails'.
(The Wives of Brixham
by Menella Bute Smedley)

      A to Z of Devon places and Devon women writers - B


Excerpt from my poem about Flora Thompson in Brixham


B for Brixham
Page from Miss Green's Journals 1841
It's unlikely that you reading this don't know of Brixham, in Torbay in the south of Devon. Chances are you may have been there. Brixham is one of the county's prime tourist places as well as one of Devon's most famous fishing towns, In my first post in this A-Z of Devon places and women writers I noted that, as I've trawled the county in search of places associated with various authors, it has often happened that my quest to find one or other writer has coincided with individuals from my own family history. The coincidence has happened enough times to make it appropriate here to include snippets of our own family genealogy as a kind of sub-text for some of the posts you'll find on this blog. Sometimes for examples a writer was living in the place during the same time as certain people in my own family; occasionally the author lived at a house or home nearby where a branch of the family lived. In either case, for me the coexistence is often intriguing. My dual research subject fields meet up with one another and each has helped in some way with the other (if that makes sense). 

    Here, at Brixham, the resonance is especially meaningful. My late mother's paternal family, fisherfolk, the Greens, were from the parish; or, at least, were in Brixham for a couple of generations, after a great grandfather ran away to sea, to escape an unhappy childhood in Suffolk.

     Though, as I've since discovered there were other women writers connected with the town (including Menella Bute Smedley, who wrote The Wives of Brixham quoted above), two women authors with direct Brixham links stand out and in each case, as I've explored their respective lives and writings I've also stumbled upon insights about my family; and vice versa. One of the writers was the C19 diarist Miss Green who I'll introduce shortly. The mysterious unknown C19 lady diarist is not exactly remembered for her writings or for her links with the famous fishing town. In contrast, everyone knows about Flora Thompson, especially since the BBC's production of Lark Rise to Candleford. Perhaps though, you reading this may not have known that Thompson spent the last years of her life in Devon. Much has been written about this popular author, including the recent biography, Dreams of the Good Life: The Life of Flora Thompson and the Creation of Lark Rise to Candleford by Richard Mabey, which is available from Kindle.  Flora does  make an appearance in my own work, and there is an excellent Flora Thompson website devoted to her. Here, I'd like to comment a little more about her Brixham and Devon links.

      I am fascinated with the way some writers such as Thompson swop real places  with one another; a beloved home is written about only when the writer has moved to another location. It seems as though often there is need to put space and distance between one's real life and one's imagined life, before the former can be written about. Such is the case with Flora Thompson. whose  Lark Rise to Candleford, (the first book of which was written 1938-9 and the one that made her a household name) was not set in Devon; yet Thompson, as 'exile', admitted that unless influenced by the nearby Devon moorland: '[she] might never have felt driven to record her inland childhood as she did exiled in Devon'. It's as though Dartmoor revivified a lost memory trace for the writer; the landscape transformed into a beautiful interior landscape recalled from her childhood in Oxfordshire, which allowed the vista of tors and moorland space to set the writer free to travel to other inner regions. 

    Thompson's fascination with moor and its impact on the writing of her own work intrigues me, as does her close association with Brixham itself. Flora's home in the town, called Lauriston (see the plaque to Thompson and photos of the house) in New Road, is in Higher Town:



This is the same part of the parish in which my grandmother met my grandfather in her grandma's parents dairy, Tregembo and where my mother was born and brought up, at Polhearne, the farm round the corner from the Pound House where according to my mother my grandparents had first moved as a married couple, in 1912. The street called Dashpers is nearby. One of Thompson's unfinished fictional works is titled Dashpers, (see manuscript draft here), so I have always assumed she took the name from the nearby Brixham road.

       In her later years my mother wrote about her own love of the fishing-village, a home which she left when she was eleven:
We never ceased to be excited by the sight of seagulls, which flew in by the hundreds, catching and swallowing large fish whole. The smaller fish would be discarded and then the auctioning would take place. No large co-operatives in those days. All this took place under the watchful eye of William, Prince of Orange whose statue was and still is a landmark on the quay in Brixham ...
... On bank holidays or in the school holidays we would walk to Broadsands from Higher Brixham where we lived on the farm. In those days the beaches were practically deserted and we spent long, happy hours playing in the seaside pools or picking buckets full of winkles which our mother cooked for tea. Mansands was out of bounds to us, being considered far too lonely and desolate. Another secluded beach we used to play on was called Mudstone. Walking down to it with warm sand trickling through my bare toes was wonderful.
          Her childhood in the town was spent many years before Flora Thompson moved there, in 1940, but my mother's own memoirs about her years in Brixham are detailed and poignant, in a way reminiscent of the style of the well-known Thompson.

         I had the criss-crossing meeting-points and places of personal family and well-known writer in Brixham in mind when I drafted a poem about Flora Thompson. I decided to create a layered text, with the poem about the author superimposed on a description of my family in the town. The poem reflects the multilayerings of life and text. Here is an extract from the under-layer of Flora and the Family, reinventing my own family in the town:

Brixham home of my maternal forbearers, whose lives and bodies are now shadows weaving in & out of Burton Street up across to Bolton Street - shapes coming from doors - they're waving back up to us - feet stepping towards the harbour - linking houses and family lines across time  - some lost & forgotten for ever -   a few resurrected here and given space-in-print to exist in this text-in-time. Walk the streets of this their seaside town and walk into the margins of darkened lanes, merge lines of  text into the C21 virtual version where fisher and farming folk live again - throw the fishing net and catch them against a background of brimming Brixham red skies and silver seas. the fleet coming in skimming the waves and preening glorious sails.
                                                                      ****
       Brixham's mysterious C19 personal journalist/diarist, Miss Green, in complete contrast to the well-known C20 Flora Thompson, has not left any published works and remains obscure and unknown. She is one of the invisible woman writers of Devon who I wanted to include in this blog.

       Miss Green was probably born and lived most of her life in Brixham, whereas Thompson only spent the latter part of her life there but the chances you have heard of Miss Green are remote. (I call her Miss because as yet I have not been able to identify the diarist's christian name and because the manuscripts that do exist by her are in that name. Happening through serendipity on the existence of the manuscript of Miss Green's journals in an archive far away from Devon (Birmingham University - also see Diaries for detailed commentary on Green's writings), was a real discovery, for my grandfather was a Brixham 'Green' and to begin with I thought the two families might be related. Concerning the journalist's identity, the Birmingham archive notes:
From internal evidence, it is likely that the writer is a Miss Green, daughter of Joseph Green of Parkham Cottage, Brixham, Devon. A record of the marriage of Joseph Green nd Elizabeth Adams at Brixham on 23 January 1791 is listed in the International Genealogical Index. The writer spends several months with her uncle Robert Adams, of Brompton, near Chatham, Kent who is possibly her mother's brother.
       Sometimes, the complications re establishing writer identity and my other co-passion for family history research, as with Miss Green, took me off on tangents into the mires of online genealogical sites, away from the main thread of this project. Apropos Miss Green, I'm afraid I'm still floundering amongst the C19 higher Brixham lanes, up in Burton Street with Parkahm Villas, or New Road, St Mary's church and surrounding area, with various C19 censuses details laid out on my desk concerning the various branches of Green families, rope-makers, ship-owners, bankers and other fisher-folk kith and kin. If and when I establish exactly how Miss Green fitted into the Brixham Green family trees I will update this later. Meanwhile, if any of you finding this blog can bring any fresh insights, please do let me know.

         Before we depart from Brixham and Miss Green I must briefly comment on her writing and its importance to the area in which she lived. For although, yes, her journals are for the most part intensely religious and parochial, focusing on the immediate locality of her home parish, the specifics of Green's writing provide the C21 reader with a social history of the mid C19 in that town and indeed, probably the whole country. She conjures a contrasting world to the one we are now familiar with, a world in which families left their homes every day to walk, rather than drive, out and about their locality, to go to church, to church and other social meetings, to meet with neighbours, family and friends for walks into the surrounding countryside and then shared tea and meals; a world in which death was a persistent concern and experience in an individual's life, not a topic to be avoided; a world in which church, caring, community and charity were accepted as the norm of life. 

    Miss Green's diaries also tell us about the topography of the local landscape and illustrate the huge differences in the locality between then and now. Miss Green knew a few of the local leading lights of her time, including particularly Revd. Henry Francis Lyte, famous writer of the now popular hymn Abide with Me. Green, who seems to have been a Sunday school teacher, evidently knew him well as she attended many of Lyte's services and provides descriptive commentary about each sermon or lecture she heard. Miss Green's church was St Mary's at Higher Brixham.

    Here's just a couple of excerpts from her journals:
'We took a walk to Parkham just before dinner in the evening went to see John's wife   after that to church they sang the 55 psalms 2 versions  poor Elizabeth's favorites the music was to me beautiful and the words brought many things to my mind which I cannot forget, Mr Lyte's lecture was very good on the Epistles for Trinity Sunday.' (26 May 1841) 
After looking at the old church we proceeded to the iron mines the view from there was very good. William accompanied us now and then we passed Mudstone but did not go down on the beach we reached home just before dark not a little tired with our long walks. (28 May 18410. 
      The journal entry that stays with me is Miss Green’s affecting farewell to a beloved cousin, and Uncle and Aunt, in June 1841, as they left Devon on the Steamer to return to their Kent home after a holiday  with Green's family, in Brixham. To our fast-paced C21 minds the woman's intense gaze over the water, watching the steamer pass across the bay seems tedious and slow,  How could it have been like this? Yet perhaps she was the lucky one, experiencing a luxury we, with the rush of our C21 lives, do not now have.

… after tea Harriet Fogwell kindly went up on Parkham with Priscilla and I to see the Steamer come out. We saw her pass across the bay at a little before 6 in the evening we waited until nearly ten past 7 when she came out and glided very quickly along we had he glass but could not distinguish one person from another the distance being considerable, we tied a white pocket handkerchief on a pole that was our flag but I can hardly think they saw it … all seems very lonely. (Extracts from Miss Green, Journals of Miss Green, from Brixham, 1840-1: Special Collections, Birmingham).



B for Budleigh Salterton
At Budleigh Salterton
Photo Julie Sampson

         Now we're going to zip along the south Devon coast to the east of the county and meet up with another C19 woman writer who in her life-time seems to have become a well-known figure in the town of Budleigh Salterton, or in the nearby village of East Budleigh. Just as with Brixham this east Devon district harbours the bones of a branch of my own ancestors, so similarly to the south Devon resort finding this writer has provided me rich research material. But that belongs to another story (blog).
        Maria Susannah Gibbons wrote novels and travel books about Devon. She was apparently born in Middlesex, in 1841 (the same year in which Miss Green was writing most of her Brixham journals), but by the 1880s had moved to Vicarsmead, in East Budleigh. Gibbon died in 1900. The main texts which are associated with the author are We Donkeys in Devon and Travels in a Donkey, 1887. Maria Susanna Gibbons makes a brief appearance in SouthWestWomenWriters and there was mention of her in an old Devon and Cornwall Notes and Queries (3:2 1904 49-52).  There is not much information easily available about the author on the internet, except that The OVA (a civic society founded in 1979 to interest residents and visitors in the history, geography, natural history and architecture of this area of Devon), contains a wealth of material on the Otter valley, which includes some valuable snippets about Maria Gibbons. My comments on the writer are indebted to that site. The author is described thus:
A most delightful character who epitomised the Victorian scene in this town was the writer Maria Gibbons who, with her mother, moved from East Budleigh to live at the top of Victoria Place. Her charming reminiscences of Salterton have already been quoted in this chapter. She drove a donkey tandem, and was quite eccentric in her attitude towards animals. She once had a wooden leg fitted on her broken-legged cow. Maria was the author of 'We Donkeys in Devon', and several novels, now forgotten. When past middle age she took up nursing. There have always been 'characters' in Salterton (See Ova)
Maria was evidently not without eccentricity for we learn that
In 1886 the old vicarage was the home of two ladies of great character; Mrs. Gibbons, who allowed her hens to roost on her drawing room chairs, and her daughter Maria. (ibid.)
       I also learn that Maria Gibbons wrote an account titled Budleigh Salterton in 1809, a transcript of which is in Fairlynch Museum.

      Before I leave Budleigh and Maria Gibbons I must just mention another Budleigh woman writer who I would not have known about if Roger Lendon (TheOva) had not written about her on their website. Miss Jane Louisa Willyams (1786-18780 was apparently born in Cornwall and moved to Budleigh forty years before her death, where in 1841, 'she lived at Prospect (now East Terrace). Willyams with her sister wrote a three volume novel called Coquetry which was published in 1818'. (See Ova for more about Willyams). This is yet another writer from the south west who has disappeared from the radar, but one to watch out for.
By the sea at Budleigh


For introduction to this blog see Women Writing on the Devon Land

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